Tuesday, November 29, 2011

Duran Duran to tour Australia in 2012

Tour announcement! Playing in VIC, QLD, NSW, SA, WA in March 2012. Check ticketmaster for details. Presale starts 8/12 and sale starts a week after that. Playing vineyards as well as regular venues!

DD will be showing off their great new album "All you need is now" and the current single "Girl Panic"

All you need is now - official video

This new album more than makes up for the disaster that was "Red Carpet Massacre".

Check out the David Lynch produced live clip for my favourite album track, "The man who stole a leopard" - featuring Kellis on backing vox - seriously!

The man who stole a leopard - David Lynch directs

Friday, November 25, 2011

Massive 80s-90s line-up hits in March 2012

Noiseworks, Ian Moss, Clapton, Dragon, 1927 and Choirboys touring NSW, VIC and SA next March!

Ticketmaster presale now on (until Monday 5th December 5:00pm), at which time the events go public.

Presale password: TOUCH

Coming to Bimbadgen Estate, in Hunter Valley, NSW, Australia -

I'm so there!

Tuesday, November 22, 2011

George Michael to tour SYMPHONICA in Australia 2012

Australian tour dates as of today are -
March 31 - Swan Valley Estate - Sandalford, Australia
April 3 - Entertainment Centre - Adelaide, Australia
April 7 - Hope Estate - Hunter Valley, Australia
April 9 - Rod Laver Arena - Melbourne, Australia
April 14 - Allphones Arena - Sydney, Australia
April 17 - Entertainment Centre - Brisbane, Australia
Dates are not officially announced as yet.

Wednesday, November 16, 2011

New Years Eve 2011

The ultimate 80s event is coming soon to Sydney!
Venue: GLEBE ISLAND, Sydney Harbour
Event: NEW YEARS EVE 2011 -> 2012
Featuring Culture Club, Pet Shop Boys, Pseudo Echo, Jamiroquai, and Guy Sebastian.
Culture Club will play after the midnight fireworks.

AMAZING! Sounds like a blast!

Thursday, October 13, 2011

80s Rewind festival moves to Sydney ('Gong Gone!) then cancelled!

EVENT CANCELLED - ignore below!
This just in. The 80s Rewind Festival scheduled for the weekend at the end of October, originally in Port Kembla (NSW), is now moved to the Hordern Pavillion at Sydney!

Also, some bands have been cancelled by the promoter, I guess due to space... Human League and Kool and the Gang, Sister Sledge and The Straits are cut, for instance!

New line-up -

Kim Wilde
Ross Wilson
Midge Ure (Ultravox)
Pseudo Echo
Cutting Crew
The Real Thing
Nik Kershaw

(1 more Australian act to be announced)

Right Said Fred
John Paul Young
Go West
Tony Hadley (Spandau Ballet)
Mental as Anything

(2 more Australian acts to be announced)

Monday, September 5, 2011

Modern Girl - LOGO

Just mucking around with the logo... I wonder if this is an actual font, or just someone's handwriting...

Sunday, August 28, 2011


The Hall and Oates / ICEHOUSE presale is up right now!

The presale password for many of the sales is MANEATER.

Verified so far is Sydney Entertainment Centre and the Melbourne Convention Centre

If you buy today, before the actual presale starts (midday tomorrow), you can easily get front-row seats for any of the gigs! Now *that's* CRAZY :)
Good luck!

Saturday, July 23, 2011

80s Rewind hits Wollongong, NSW

The 80’s Rewind Festival has been a huge success in the UK since its launch in 2009, attracting over 70,000 people.

This year from October 28 to 30 Australia will get its very own taste.

This iconic 80’s Rewind Festival will be heading to Wollongong for a one off 3 day spectacular at Bluescope Field at Kembla Grange.

The Festival will boast the biggest live outdoor line up of local and international 80’s recording artists and performers ever, as well as loads of other festival fun including your choice to either camp it or glamp it.

The line up for Australia’s very own 80’s Rewind Festival is:

Friday, 28th October

Saturday, 29th October
Kool and the Gang
Sister Sledge
Midge Ure
Ross Wilson
Mental As Anything

Sunday, 30 October Human League
Tony Hadley
Nik Kershaw
Go West
John Paul Young
Pseudo Echo

Friday, July 1, 2011

James Freud and Berlin - Enemy Lines (lyrics)

Enemy Lines
(words and music: James Freud)

Hide me behind your enemy lines
Hide me behind your enemy lines

Mein schöner Liebling
Et c'est soir, et c'est soir
Do you think you're soldier blue, soldier blue?
And where's your gun to God, my love?
Do your commands come from above
Do your commands come from above
To you, to you, to you


Won't you hide me
Behind your enemy lines
You better hide your love
Behind your enemy lines
You better hide your love
Behind your enemy lines (oh yeah)
Behind your enemy lines (oh yeah)
Do I look so insecure, so unsure?
I'm really someone can't you see, I am me?
And I need something I can be

Do your eyes tell what they feel
Do your eyes tell what to feel
Do you, do you, do you


You had to be, you had to be a star
Did you want to be?
You had to be, you had to be a star
Did you ever be a star, did you ever be a star
Why did you ever be a star, oh?



The first line is German, and translates to 'My lovely darling'
The second line is French, and translates to 'And it is evening'

Interesting, eh?

Thursday, June 9, 2011

Moving Pictures - Dee Why RSL 2011 tour warm-up gig

Just received this email from Empire Touring -

Hi there,

You have purchased tickets for the Moving Pictures concert at the State Theatre on Saturday July 30 and you are in for a big night! They will be playing all of their hits, and the band are very, very excited.

We thought we would let you know that the band have just decided to do a special warm up show in their old stomping grounds of the northern beaches.
They will be playing a secret show at the Dee Why RSL on Wednesday 27th July. This show will have an extremely limited capacity but we are giving you the chance to purchase tickets first.

Tickets for this show are $30 and you can purchase directly from the Dee Why RSL by phoning 02) 9454 4000 or via

We hope to see you there.

The Empire Touring Team

Saturday, May 28, 2011

Models - Hold On (lyrics)

Hold On
(Music and Lyrics by James Freud)

I can see the white cliff
Falling from the plains
Rolling down to the sea
There's an old tree by the window
And the wind beats hard when
the sun goes down,
Down, down, down, in my own town


And when the morning comes
I won't be around
But if you say the word
I would always stay
And you, hold on to what you've got

I can still remember driving in the rain
Looking out of an eighteen year old
Through a hurricane
Then the days were longer
Was there something in a kiss
Well I don't know if it's this old place
Or you I'm gonna miss


Now Here in the heart of the city
That big machine keeps rolling on
The rains still falling down
And I look out over my street
That got caught up in the win
They broke some guy who lived down
the block, and threw him back again


Thursday, May 26, 2011

Gary Numan - Australian tour interview 2011

'The moment I gave up, things started to get better.' - Gary Numan

It's early on a Friday morning in Sussex, south-east of London. What do you think local resident Gary Numan could be up to? Is he cowering in his car with all the doors locked, obsessively picking at his black nail polish, contemplating a doomed future while moping that his only companions are machines? Not even close.

"I just dropped the kids off at school, so it's a bit of an early start for me today, actually," he says, sounding like a cheery suburban family man. "They all go to the same place, which is handy. It's a Steiner school, one of those hippie sort of places. The oldest one goes to school proper and the two younger ones go to kindergarten."

His daughters' names are Raven, Persia and Echo. Thank goodness some things fit with the eccentric electro-goth Numan stereotype.

At 53, Numan has been lionised as a pop star, pilloried as a money-hungry Tory, mocked by the critics, kicked on his rapid slide down the popularity ladder, ignored during his years of obscurity and then reassessed as a pioneer in his field.

His trip from synth-pop lost boy to electronic elder statesman has had some strange twists, from multiple hair transplants to aerial acrobatics to marrying one of his fans. And as Numan is one of the most polite aliens you could hope to meet, he is willing to talk about it all at length. (With that said, even though Numan gladly went into the gory details of his transplants, I won't relay the information as you may be reading this over breakfast.)

After flirting with punk, Gary Webb splashed down into the pop scene in 1979 like a synthesiser-wielding android. He had changed his surname to Numan, applied thick black eye make-up and written songs about alienation, paranoia and a modern world where being human was a dangerous occupation. He debuted under the Tubeway Army moniker, released the Replicas album and had a No. 1 British hit with Are "Friends" Electric?, an irresistibly creepy song with a chilly synth melody behind Numan's detached vocal about plug-in companions. The lead single from the follow-up album, The Pleasure Principle, released under the Numan name, was Cars and it became a hit on both sides of the Atlantic and in Australia, turning Numan into a star who amassed a multimillion-dollar fortune.

At the time, he was 21 and living with his parents. His mother ran his fan club and his father, a bus driver for British Airways at Heathrow Airport, was his manager. They hadn't had an easy time with their son. He had been expelled from a couple of schools, had behavioural problems, was sent to a child psychologist and put on Valium and Nardil for a year when he was 16.

Although it has not been clinically diagnosed, Numan is sure he has Asperger's syndrome.

"I always found it very difficult to make friends and I was very awkward in social situations," he says. "I had trouble communicating and I seemed to offend people without meaning to. I just accepted that this was the way things were. I have no problem talking to you now but if I was to meet you outside of the interview situation, you'd find me very odd. I wouldn't know what to say and I'd get tongue-tied."

Numan channelled all this into his robotic stage persona. His interviews at the time were skin-crawlingly awkward. However, a particularly stilted exchange with the always-stilted Ian "Molly" Meldrum on ABC TV's Countdown in 1979 revealed a young man with his finger on the pulse. Numan said his music was different because the synthesisers were not just being used for background colour, they drove the songs and he noted that "the people who take command of the visual side of their music will take prominence".

These comments proved prescient, coming just before synth-pop took over the charts and two years before MTV made its debut.

Still, the critics were merciless. British music writer Charles Shaar Murray described him as "embodying all of David Bowie's faults and none of his virtues". Numan was too busy enjoying the spoils of success to care, speeding around London in his white Corvette (a present from his record label) and stirring up controversy by saying he loved making money and that he supported the then British prime minister, Margaret Thatcher.
Then, in 1981, he announced his retirement from live performance after a series of shows at Wembley Arena. The retirement didn't last long and, unfortunately for him, neither did the success.

What went wrong?

"I think ... I think ..." he says, before trailing off and then laughing. "I think it's actually a big job trying to summarise exactly what went wrong. From the mid-'80s onwards, the quality of my songwriting definitely dropped and became quite one-dimensional. I started to panic and I started writing music to try to save my career.

"I wasn't writing for the people who liked Gary Numan any more. It was entirely my fault. It was a real lack of moral fibre. I should have stayed true to what I wanted to do.

"Once you've been No. 1 and you've had all the trappings of success that come with it, no matter how briefly, once that slips away, you think you've blown it and you'll try anything to get it back."

His rapid descent, in both his own mind and public opinion, coincided with him indulging a new passion that saw him take to the skies. Numan became a display pilot, performing aerial acrobatics in World War II combat planes at European air shows. The music press had a field day in 1981 when his attempt to fly around the world was interrupted by a forced landing in India that found him under suspicion of spying and smuggling. Much as when Duran Duran singer Simon Le Bon's yacht capsized four years later, it was seen as an example of a spoilt pop star with too much money and not enough sense.

By the late '80s, the only people who still believed in Numan were his obsessive fans, known as Numanoids. One of them was Gemma O'Neill, who was only 11 when Cars was a hit. As a 14-year-old, she cheerfully told a school careers counsellor that the only job she was interested in was that of Gary Numan's wife.
She fulfilled that ambition in 1997 and Numan credits her with lifting his career out of a tailspin.

"By 1992, I'd bottomed out so badly that I thought, 'F--- it, that's the end of that,"' he says. "Gemma told me I should write songs for the love of it again. I didn't have a record deal and I didn't think I'd ever have one again, so I went into my home studio by myself and made an album called Sacrifice. The moment I gave up, things started to get better. It was a very big lesson for me."

He admits the music he writes now is darker, heavier and not nearly as radio-friendly as his early work. He's fine with that. Besides, something started happening about 15 years ago.

People such as Trent Reznor, Marilyn Manson and Dave Grohl began citing him as an influence. Others started sampling his past work and having hits, including Basement Jaxx's Where's Your Head At? and the Sugababes's Freak Like Me. The surreal English TV comedy show The Mighty Boosh dropped so many references to Numan that he made a cameo appearance. Does all of this make him feel justified?

"I don't know if justified is the word, because I never thought I was anything special," he says. "In the early days, I was a big Ultravox fan and I don't think any of my albums were ever as good as Systems of Romance. Later on, I looked up to Depeche Mode's Songs of Faith and Devotion as something to aim for but I never came close.

"But I was thrilled when I started to read about people saying I had an influence on them, especially someone like Trent Reznor, because I really respect Nine Inch Nails. As for The Mighty Boosh, I was a genuinely huge fan and they're lovely people. I'd say 90 per cent of younger people who know who I am have come via [it].

"All of these things made a massive difference to my career and my confidence. When it started happening, I'd had many bad years and I didn't have the highest level of credibility. It boosted the way I felt about myself. I was very grateful for it. I still am."

Gary Numan plays The Pleasure Principle album and other songs from his career at the Enmore Theatre on May 13.

Numan behaviour (side-bar)

- David Bowie has reportedly said, "Gary Numan has written some of the finest things in British pop," but in the early '80s he had him thrown off the set of a British TV show. "I used to get into fights at school protecting his name," Numan says. "Then, all of a sudden, this bloke I'd adored for years was throwing me out of a building ... It really upset me."

- The Mighty Boosh's Noel Fielding, whose character Vince Noir is a Numan fanatic: "He's a proper pop star - the look, his weird voice, the songs. I like the fact that he's got a pilot's licence."

- Numan was a guest on Nine Inch Nails's 2009 farewell tour, singing his songs Cars and Metal. Says Trent Reznor: "After hearing Gary Numan's Cars, I knew I wanted to make music with synthesisers. Numan's early albums painted an emotional place that wasn't pleasant to be at. It seemed like creepy science fiction."

Source - (link)

Sunday, May 8, 2011

Moving Pictures - Alex Smith Youtube promo video

Thanks heaps to Diane Curran ( for the link, c/- Empire Touring.

MOVING PICTURES - Daily Telegraph 2011 article

A return to Innocence for iconic Eighties band Moving Pictures

More than a quarter of a century since they last saw one another, members of Sydney's Moving Pictures are reforming the band to mark the 30th anniversary of their debut album Days Of Innocence.

Speaking to Insider from his London home, frontman Alex Smith says he's looking forward to hitting the road again with original bandmates Andrew Thompson, Charlie Cole, Garry Frost and Ian Lees plus Mark Meyer, although he jokingly admits he's not sure how the initial reunion will go.

"This group, this line-up and this band hasn't been in the same room together since 1984 ... I'm just going to play it by ear - same as I used to do every day in the past," he said. "It will be like, 'What are we here for? We're here to play and have a great time'.

"The major thing I want to do is laugh. Ninety-five per cent of our time was spent laughing and I think that's going to be one of the things that hopefully will still be there.

"We're just going to have boxes of Kleenexes everywhere and somewhere to park the Zimmer frames."

Best known for their hit What About Me, which topped the ARIA singles chart for six consecutive weeks in 1982, and reached No.1 again in 2004 when covered by Australian Idol runner-up Shannon Noll, Moving Pictures gained further international notoriety when their track, Never, featured as the musical backdrop for Kevin Bacon's dance solo in the 1984 movie Footloose.

Smith says this, ironically, ended up marking the band's downfall.

"That was kind of like a sore point," he said. "We got asked to do it, but we've never seen a dime from it.

"It kind of soured our relationship (in the US), which was the thing that eventually led to the downfall of the band. Footloose was like a poison chalice for us. You can imagine how much money the bloody thing made."

Moving Pictures will play the State Theatre on Saturday July 30.

Tickets are available through

Link to original article

MOVING PICTURES - touring in July 2011

By some strange coincidence, Moving Pictures are touring in their original line-up to celebrate the 30-year anniversary of the release and subsequent success of 'Days of Innocence'.

They are playing twice at Lizottes, in Newcastle, once in Sydney, and once in Melbourne.

If you're a fan, don't miss this, as Alex lives permenantly in London, and it was made clear years ago that Garry wouldn't tour with him again - this is once in a lifetime! Pre-sale commences this Tuesday 10th May.

Link to Days of Innocence album - buy the compilation if you like it!

NB: tickets to Lizottes are already on sale!

Presale password: tba

Tuesday, May 3, 2011


This rather rare Moving Pictures sophomore album has been found! For some reason blogger isn't allowing me to upload pictures... weird...


Never (live mime on Countdown) - don't miss Alex's words at the end!

Where they belong (promo video featuring Nicole Kidman!)

Live videos -

This must be love (Live on Triple-M)

Thursday, April 28, 2011

Talk that Walk

An interesting and under-rated band appeared in 1986 called Talk that Walk.

Not too much information seems to be available on this band, apart from the following -

One single released in 1986 - Surface Tension, appears to have entered top 40 in Victoria, Australia upon release, but not sure if charted elsewhere, perhaps explaining their single entry release.

Band members were -

Clive Young - vocals
Nick Lowes - bass/backing vocals
Dean Walliss - synth/backing vocals
Tony Lugton - guitar/backing vocals
Bill Wall - drums

(although this line-up was to change shortly after recording the single, according to the Sounds interview below)

Tony Lugton is well known for being one of the original members of great 80s synth new-wave band Pseudo Echo. Tony performed on the Autumnal Park album, but due to a split in either musical direction or money (depending on which source you believe), he left them and joined Propaganda and Talk that Walk. Tony actually appeared in an incarnation of James Freud's Berlin!

Clive Young actually had better chart success a couple of years later as a solo artist, and apparently still sings and writes these days (refer here for more info).

Apparently Talk that Walk actually toured schools with Pseudo Echo during 1986/1987.

Videos found -
Surface Tension (hey hey it's Saturday, 25/4/87)
Details on single release -

WEA 7-258470 / MX212593/4 - 1986 (although picture sleeve is dated 1987).
A side - SURFACE TENSION - length 2:57, produced by Spencer Lee, recorded at Paradise Studios
B side - HARVEST TIME - length 5:23, produced by Peter Leslie & Talk that Walk, recorded at Townhouse Studios

Lyrics as lifted from picture sleeve -

Snapping of the surface tension
Splitting of the fibres
Changing motion  without warning
Calling you.
So, time slapped your face again
Puts you in its case
And then it drills a little hole to hold onto.

Talk a little harder
Maybe work a little harder
Be a walking inspiration
So, hide in your face again
Fill a little space
It's what you want to do.

Well I remain a prisoner
Inside a dying man
Temptation is so sweet
That I taste it while I can.

Ah, that's surface tension.